VOLUME 8 GAZOO EVOLUTIONS
Words by Tim O'Shea
4 MIN READ
In 1985, small cars were quickly turning to front-wheel drive layouts as they promised better fuel economy and less maintenance than rear-wheel drive, and the Corolla was no exception. But those with a passion for performance knew that rear-wheel drive cars simply handled better. By leaving the front wheels to steer, and the rear wheels to drive power to the track, drivers had much more control. Still, around the world the new fifth-generation Corolla was mostly available as a front-wheel drive vehicle.
However, the team behind the Corolla insisted that they weren’t entirely done with rear-wheel drive, lightweight, front-engined performance cars, and mercifully, they were given one last swan song. So they set about improving on the fourth generation’s platform and engine, refining just a little bit further, tweaking until everything was just right. The result was the AE86, a special edition of the Corolla known as the Toyota Corolla Levin and Toyota Sprinter Trueno.
While there were two body types (two-door coupe and three-door hatchback) as well as many trim options, the core values of all AE86s were the same. They were all rear-wheel drive, light, affordable, easily modifiable and combined a five-speed manual transmission, optional limited slip differential, MacPherson strut front suspension, high revving (7800 rpm), twin-cam engine with near 50/50 front/rear weight balance. This was a car that had everything it needed and nothing it didn’t, unlike the performance cars of today, it was incredibly simple, and so of course it was perfect for the racetrack.
The AE86 was made for racing, and was extremely successful in Group A and Group N in both touring car championships and rally. Drivers loved its perfect balance and responsive engine but it was Japanese racing legend Keiichi Tsuchiya who truly connected with the AE86.
As a teenager he was inspired by racecar driver and the father of drifting, Kunimitsu Takahashi. He was determined to emulate his graceful yet unorthodox cornering technique and, after years of practice in solitude on the downhill sections of mountain passes, he became a hashiriya (street racer) legend. Drivers would travel to the ‘touge’ (mountain road) he called home to compete with Tsuchiya, but no one could match his skill.
When he inevitably graduated to professional racing, the AE86 became his weapon of choice and together the two were an unstoppable force. In fact, the combination was so dominant that Tsuchiya soon became bored with the conventional racing line. It was time to go drifting. Racing officials didn’t like his unconventional cornering style and link to illegal racing. But it didn't matter, fans couldn’t get enough of his wild antics. After drifting through the longest corner of Fuji Speedway (the Fuji 100r corner) in the rain he was christened the Drift King ("Dori-Kin" in Japanese).
The Dori-Kin was such an exciting driver behind the wheel of an AE86 that he transcended motorsport. In 1987, a Japanese tuning shop teamed up with a local car magazine to create a film that showcased Tsuchiya's incredible skill. Titled ‘The Touge’, this straight-to-VHS masterpiece features the Drift King behind the wheel of a Toyota GTV Levin drifting through the Usui Touge, his home course.
Here the perfectly balanced body, high revving engine and simple limited-slip differential shines. Tsuchiya was able to weave his AE86 through complex and dangerous runs with ease, linking the treacherous corners together with graceful drifts, his clutch kicks conducting an orchestra of opposite-lock, screaming rubber and twin-cam crescendos.
This was the nail in the coffin for racing and government officials; Dori-Kin’s racing licence was revoked and the provocative film was banned. This of course made the driver, the film and the AE86 even more legendary among fans. Tsuchiya and the AE86 were destined for glory, and nothing would stop them. He would go on to be a two-time 24 Hours of Le Mans class winner, the 2001 All Japan GT Championship runner-up, drive in NASCAR, a consultant on the Initial D manga and anime series and a stunt coordinator and stunt man on ‘The Fast and the Furious: Tokyo Drift’, where he also made a cameo appearance. Today ‘The Touge Parts 1-3’ remain a cornerstone of drifting culture.
The AE86 was equally successful, winning races and hearts all over the world. It soon became not just a motorsport icon, but a cult figure in the world of anime and Japanese popular culture. Today it sits in the same league as KITT from ‘Nightrider’, the gold robbing Minis of ‘The Italian Job’ and the ‘Bullitt’ Mustang driven by Steve McQueen. The Dori-Kin was such an exciting driver behind the wheel of an AE86 that he transcended motorsport. In 1987, a Japanese tuning shop teamed up with a local car magazine to create a film that showcased Tsuchiya's incredible skill. Titled ‘The Touge’, this straight-to-VHS masterpiece features the Drift King behind the wheel of a Toyota GTV Levin drifting through the Usui Touge, his home course.
The engineers and designers responsible for the AE86 clearly knew they had created a special car, but what they couldn't have anticipated is that this small run of Corollas would go on to inspire a whole new performance-focused vehicle decades later. However, at the December 2011 Tokyo Motor Show, the Toyota 86 was unveiled to the world as a homage to the AE86.
Inspired by the same simple formula as the original icon, the Toyota 86 was a breath of fresh air for motoring enthusiasts who again longed for a fun and affordable rear-wheel drive sports car.
Now in its second generation and part of the GR lineup, the Toyota GR86 boasts 174kW and 250Nm, track-tuned MacPherson strut front suspension and double wishbone rear suspension, 6-speed manual or automatic transmission and of course, rear-wheel drive. The GR86 is raced all over the world in both amateur and professional competition, in some cases even in entire racing series dedicated to it. And of course the 86 is a staple of drifting, a fitting evolution for the vehicle that made drifting the global phenomenon it is today.
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